#Outlast 2 blake face full
You have no combat skills, no folding knife or pocket full of shotgun shells. Your role isn’t to intervene or to put an end to the madness. You’re making something between a case against the cult in the slim chance that you might make it out alive, and a dead man’s letter to whoever might find your body. As you wander through the cult’s compound, you’ll encounter gruesome scenes that demand to be recorded, scribbled notes and cryptic passages from the cult’s bizarre gospel that you feel compelled to document.
#Outlast 2 blake face movie
More than simply a way to ride on the found-footage horror movie craze of the past few years, or provide a convenient excuse to play with night vision and spooky whispers caught on the directional mic - it forces the player to linger on the depravity. You’ll want to give the locals a wide berth. It’s a bad situation even before you encounter knife-wielding hicks, knee-high piles of child corpses, and scrawled notes rambling about the apocalypse and a monstrous sun creature “fucking the earth.” Yeah. Waking up in the wreckage, you’re separated from Lynn and are forced to explore the shanty huts and creepy chapels of the cult alone, relying on your camera’s night vision optics and directional microphone to navigate the dilapidated compound. Needless to say, things take a quick turn for the worst. While filming some establishing shots of the countryside and rural compound, the chopper you’re in goes down. While her story is unknown, the most promising explanation is that she was a runaway from Temple’s Gate, a reclusive religious community hidden in the mountains. You and your reporter wife, Lynn, are investigating the mysterious death of a pregnant 15 year old Jane Doe found wandering a desolate highway miles from civilization. Outlast 2 uses a similar setup to the original, casting you as a milquetoast videographer named Blake. If that doesn’t sound like your kind of thing, then bail out now. The game is exceedingly gruesome and explicit. Religion, body horror, misogyny, and sexual abuse are the overarching themes that stitch together all the moment-to-moment violence and terror. Outlast 2 knows it wants to shock you, but it doesn’t know exactly what it wants to say.īefore we go any further, you need to know that Outlast 2 deals with some extremely heavy and uncomfortable topics (and not always with the most tact or delicacy).
What is less admirable, however, is the lack of follow-through in the narrative. The eagerness Outlast 2 has for making the player wriggle uncomfortably, for forcing them to come face-to-face with some of the most gruesome and disturbing imagery I’ve ever seen in a horror game is impressive. There is something admirable about such a direct approach to terror. About not wanting something to happen and then being forced to endure it, inch by inch, in excruciating detail. Outlast 2 is not game about pulling punches or subtle implications. It shows you something horrifying, something repulsive, then it grabs you by the scruff and rubs your nose in it. This is a trick Outlast 2 comes back to again and again.
If you see a mutant hillbilly pissing into a ditch of decapitated heads and severed body parts, you can be sure that you’ll have to belly crawl your way through that filth in the next 15 minutes or so. If Chekhov’s gun is the narrative principle that if a gun is shown on a mantle in the first chapter, it must be fired by the third, then Outlast 2 runs on the principle of Chekhov’s piss.
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